Spectralayers Pro 7 Manual Does Not#

You edit, eq and add processing by using a visual display with a photoshop like workflow. With some innovative concepts borrowed from photo-manipulation software, Sony aim to make spectral editing creative as well as useful.Spectralayers Pro 7 by Steinberg is a spectral audio editor. The Insight metering and Loudness Control plug-ins make it very straightforward to conform with the. Moving beyond RX5 Audio Editor, the full-featured RX Post Production Suite is a very useful collection of tools for the film and TV post-production, world where loudness normalisation is now a crucial element. Spectralayers Pro 5 Vs Izotope Rx 7.

The suggested retail price for SpectraLayers Pro 7 is 299 euros. In SpectraLayers Pro 5, you can work with the individual sounds in an audio file fully visually.Full-license retail versions of SpectraLayers Pro 7 and SpectraLayers Elements 7 are available from resellers and through the Steinberg Online Shop. BTbityMAGIX SpectraLayers Pro 7.2.142 + Crack, BT45.15 MB. About MAGIX SpectraLayers Pro 7.2.142 + CrackBTbt. The clipboard is blue.MAGIX SpectraLayers Pro 7.2.142 + CrackBT 21:42:5645.15 MBBTMAGIX. Steinberg today announced the immediate availability of SpectraLayers Pro 7 and SpectraLayers Elements 7, the audio editing software for music production, post-production, sound design, mastering and restoration.Audio layers are shown in the spectral display in green, or in red if selected.

SpectraLayers brings something new to the mix, as it were, in the form of layers, which we'll look at shortly.Spectral editing is usually presented in the context of audio repair and restoration: individual musical or sonic elements generally occupy distinct areas of the frequency range, so an editor that allows you to cut, copy and paste by frequency as well as time stands the best chance of being able to isolate sound components вЂ” in particular, unwanted ones вЂ” and remove them from aВ pre-mixed track without affecting anything else in the mix. Just as audio engineers focus on separating increasingly fine details in sound, the new AI in SpectraLayers Pro 7 uses algorithms to learn from the data flowing through its built-in neural network.Spectral audio displays are nothing new, and neither, for that matter, is spectral editing: Izotope's RX and Magix's Sequoia provide aВ spectral editor, and the concept of using aВ frequency axis for audio selection crops up in consumer-level programs like Roland's R-Mix. The program represents audio using aВ multi-dimensional, spectral display, and allows it to be edited in both the time and the frequency domains.Steinberg SpectraLayers Pro 7 - New Features: Artificial Intelligence to Assist Your Workflow. All prices include German VAT.SpectraLayers Pro is aВ spectral audio editor published by Sony Creative Software but developed by Divide Frame, aВ small French company who retain its copyright.

The Trial version is aВ 15-day time-limited free demo, working in mono only at 24kHz, which cannot save projects or export files. First ImpressionsSpectraLayers officially comes in several versions. The term will be familiar to Photoshop users, and provides the same benefits here as there: the ability to organise and audition different edits and alterations without committing to aВ sequence of irreversible changes. The distinctive selling point of SpectraLayers Pro is hinted at by its name: it employs the concept of 'layers' to allow non-destructive editing of audio. The difference is, to aВ large extent, one of marketing: the programs are very similar in their basic functionality and appearance. The kind of processing technology required for spectralВ editing lends itself well to additional utility features such as noise reduction, which can be thrown in as aВ bonus: SpectraLayers Pro,В like Izotope RX and Sequioa, providesВ aВ de-noiser.While Izotope RX and Sequoia are described as repair and restoration tools, however, SpectraLayers Pro is being presented as more of aВ creative sound-manipulation program.

SpectraLayers itself would not win any beauty contests: it has been built using the Qt application framework, more suited to Unix than Mac or PC, with quirky, indistinct icons, non-standard menus and crude on-screen controls. It would, presumably, be even slower alongside aВ DAW.The SpectraLayers installer has what could charitably be called aВ vintage look, but worked fine right up until the licence authentication phase, which timed out on my (slow) broadband line until the third or fourth attempt. It was usable on my two-year-old MacBook Pro with 4GB of RAM, but ran aВ little sluggishly, and made the machine feel very much like minimum-spec hardware. The Pro version, reviewed here (and which we'll refer to simply as SpectraLayers), works in stereo at up to 96kHz.SpectraLayers has aВ rather hefty hardware requirement: roughly speaking, your computer needs to be no older than three years, and the PC version needs Vista or Windows 7.

These panels can be resized, rearranged, closed, and even dragged to the left side of the audio panel, but unfortunately don't operate as floating windows.The central display area is aВ spectral graph of what SpectraLayers calls the 'mix', which includes all layers currently enabled for playback. The right-hand side features sub-panels for undo/redo history, audio channels and layers. Along the top toolbar are icons for the main selection, editing, viewing and playback functions, while the left-hand margin contains buttons for specific editing modes. Screen LayoutSpectraLayers has an overall appearance like that of most audio editors, with aВ large, central audio-display panel surrounded by icons and editing panels. I'll attempt to fill in the important gaps during this review.

Amplitude can be shown on aВ diagonal axis for aВ 3D look. AВ '3D displace' control rather cleverly projects the amplitude dimension at your choice of diagonal angle, in what my technical drawing teacher would have described as oblique projection. The intensity and contrast of the colour highlighting can also be varied, although contrast is described as 'gamma correction' вЂ” complete with aВ Greek letter as icon вЂ” which is aВ little obscure. (For aВ newly imported file, the display will be green I'll describe the multi-colour highlighting shortly.)The display can be scaled or scrolled vertically, to focus it on particular frequency ranges, or horizontally to home in on aВ particular section of the recording. Colour intensity indicates amplitude.

Once an edit has been performed, it's easy to do an A/B test to hear the result: mute or unmute the layer that was targeted by the edit. Layers can be created, and deleted, whenever you wish. While aВ conventional audio editor might perform edits directly, backed up with undo and redo operations for when things go wrong, SpectraLayers allows edits on aВ file to affect aВ separate layer, leaving the original audio unaltered. AВ layer might correspond to aВ specific audio file, or to aВ portion of audio that has been selected and clipped from aВ file.

Spectralayers Pro 7 Manual Does Not

EditingAudio selections within layers are made by clicking the Select icon in the toolbar, and the selected area is shown as aВ 'marquee' with aВ line around it. As aВ piece of interface design, this is misconceived, to say the least. There is one nasty gotcha here: right-click on aВ layer and select Delete to (permanently) delete it, and the red, targeted layer is the one that is deleted вЂ” not the one clicked. For added confusion, aВ layer may be muted but also aВ target: it is still soloed, so gets labelled with speaker sound waves but no speaker! This does all make sense, but IВ spent about an hour trying to work out what the bits of speaker icon were telling me, and I'm sure there must be better ways of indicating what's going on. What the manual does not explain is that the target layer is also soloed for playback: its speaker icon retains little graphical sound waves, which are removed from the other layers.

The toolbar also provides Move and Scale tools, which you might expect would shift or transpose the selected audio вЂ” certainly, Sony's web site claims this functionality вЂ” but in practice, it's only the selection marquee that moves.Once selected, aВ chunk of audio can be copied to the clipboard, the contents of which are superimposed on the spectral display in blue. Selection can be by rectangular area, or purely by time (encompassing the whole frequency range), or purely by frequency (encompassing the whole time range).